#catra meta

[yourhighness6]

"Light Spinner" was honestly the most heartbreaking She Ra episode I've seen so far

Catra constantly insists she is nothing like Shadow Weaver in any way, but the parallels between her journey and Shadow Weaver's as Light Spinner are not even subtle. Shadow Weaver even says they are similar, that she reminds her of herself. And as much as Catra insists she doesn't want that, of course she wants that. She wants them to be similar because she thinks that Shadow Weaver will finally love her and appreciate her if she's another version of her, only better, if she doesn't make the same mistakes, if she comes out on top. She hates her so much but she also wants to BE her, but the thing preventing her from following in Shadow Weaver's footsteps is the best part about her. It's her capacity for love and kindness. It's her lack of selfishness and greed. She never wanted to rule the hoard or be second in command, but she feels like she has to be even as her own nature rebels against it.

[aprillikesthings]

Ngl, one of my absolute fave bits of popular post-spop-canon headcanons/fanon, is Catra becoming Glimmer's advisor and close friend.

It's one of those "oh, of course" kinds of things. Catra is extremely knowledgeable about the land that was under the Horde's control, far more than Hordak ever was. (He shoved that work off onto Shadow Weaver and then Catra.)

And...admittedly this includes land that became Horde-controlled under Catra's leadership. She still knows a lot about it. Geography, trade routes, that kind of thing.

But also, we know Etheria is, in general, not big on retribution or punishment--that was something only the Horde did. Instead people might be wary of you for a bit but if you prove yourself to have changed for the better, it's all good.

(This is so obviously not limited to Catra--Adora, Scorpia, Shadow Weaver!, Entrapta--they all worked for the Horde at some point, and/or did shitty things, and were all given a chance to be better. Whether SW was actually better is its own essay lol, but the rest of them. Yeah.)

So Glimmer making a public point of having Catra as her advisor would also be a very public way of saying "The past is in the past and we can all work towards a better future together."

[tippenfunkaport]

I was so excited to actually have confirmation of the timeskip we all knew happened before Season 4 only for ND to immediately derail the convo into jokes 😂

[source]

[candyskiez]

rewatching she ra is a wild ride man like damn I forgot how obviously traumatized adora is in retrospect. how she acts around angella? "People like me better when I'm she-ra"? running to get some sort of validation from any adult figure the second everything in her life goes to shit? her first reaction to a perceived fuck up is to self punish and leave glimmer and bow entirely since she "ruined" their lives by being "irrational" in shadows of mystacore? the fact everything is her fault in some way somehow since season one??? holy shit she was seriously considering staying behind with light hope and never leaving because she thought her friends were better off without her. I forgot how much she self punished. whoever thinks adora didn't suffer in she ra has never watched the show istg

also just. the fact she sleeps with a *knife* is so telling. what happened to her in the horde that made her feel the need to start? she was fully prepared to fight shadow weaver the second she woke up. she *sleep fights.* what the fuck did they do to her. this kid has been through so much.

[starlight-bread-blog]

Good Omens fandom explaining how they're not unhinged, it's just that Neil Gaiman payed that much attention to details:

[mara-defense-squad]

I think the thing that really appeals me to catradora is the fact that they weren't supposed to make it.

Think about it for a second. Their whole lives they were pitted against each other, because Shadow Weaver wanted Adora and Catra only ever interfered with that. But they still built up their friendship. They made The Promise. They had each other, throughout their time in the Horde, despite Shadow Weaver desperately trying to drive a wedge in between them. They were never supposed to last, but they did.

And then when Adora finds the sword, becomes She-Ra and joins the rebellion - well they definitely weren't supposed to make it then. They were enemies, on opposite sides of the war. Yet, in early season 1 (pre-Promise) Catra still defends Adora in her absence. She lies to Shadow Weaver, lies to everyone about Adora being She-Ra and when SW finds out, she says "She's just confused". Still protecting Adora, despite her leaving. And Adora doesn't stop trying to convince Catra to join the rebellion, even though the rebellion would likely prefer it if she did. They weren't supposed to be fighting for each other - but they did.

And then Promise happens. Like Shadow Weaver, Light Hope sees Adora's friendship to Catra as a threat. So, she takes that wedge SW jammed inbetween them and drives it all the way home. She convinces Catra to cut Adora off, and convinces Adora to let go of her. And Light Hope succeeds where Shadow Weaver failed - they are now enemies. And they stay that way. This is how it was always supposed to be.

Then Catra opens the Portal. They get each other back for a second, but it only serves to prove they were never meant to last. Catra completely turns on Adora, and when it's over, Adora completely gives up on Catra. Any hope of reconciliation is shredded.

Catra continues on her downward spiral. Adora moves on. The war rages on, and they keep walking their separate paths. This was how it was supposed to end.

But then - then, in the rubble after the Heart of Etheria, at the moment Adora expects it the least, Catra saves Glimmer, and she apologises. She does this with no hope of seeing Adora again, and Adora doesn't know how to deal with it at first. If she was following the path laid out for her her entire life, she would have left Catra to die on Horde Prime's ship, grateful for her sacrifice, and grieving what could have been. That was how it was supposed to go, and it was exactly what Catra expected from her. But she defies it. She puts aside the greater good, and she storms Horde Prime's ship, for no other reason than that she wanted to. This is not what's supposed to happen.

In Save the Cat, Catra was supposed to serve Horde Prime. She's completely stripped of her autonomy, forced to fight Adora. She's supposed to break her. When she manages to break through - just a little bit - she is supposed to die. She falls off that platform, into the abyss, no hope left for her. Adora is supposed to let her. Instead, she summons She-Ra, and brings Catra back to life. They were never supposed to make it this far.

And it doesn't get easier. For a while, in Taking Control, they still don't really know how to act around each other. They have to learn it again. But they keep trying, against all odds. Catra starts to heal. Adora watches. They get to rekindle what they lost.

But then Shadow Weaver comes back, and the Failsafe happens. All their old wounds are raw again. SW is pressing all of Adora's old buttons, desperately reinforcing that wedge between them, so that Adora will take the Failsafe. At first, Catra resists this - she eavesdrops on Adora and SW conversation, and she seas her manipulation for what it is - and she tries to convince Adora to do the same. Ultimately she fails when Adora accepts the Failsafe. Catra knows that Adora is going to die being the hero, and she can't face that so she leaves. They are separated once again, and it doesn't look like there's any way back. It could have ended here too.

But in Heart, Catra sets down her hurt and her fear and she goes back to warn Adora of the new danger as Horde Prime hacks the planet. She finds Adora fighting for her life, and losing. Catra saves her, and allows SW to take Adora on to the Heart. She tries to sacrifice herself again. They both should have died there.

Only Adora comes back for her, once again. She rejects her destiny to save Catra. SW dies instead.

They've reached the final hurdle, the Heart itself. Adora can't transform into She-Ra, so she's doomed to die saving the world. Catra is supposed to let her.

But against all odds, they confess their love and it works. They both get to live.

This wasn't how it was supposed to go. At every turn the cards were stacked against them but they still won. They still made it. And I love that for them.

(sidenote but this is also why i love catra as a character and her whole arc. She was supposed to live a miserable life and die a miserable death but she got to live and change and grow as a person. Ugh I love this show)

[catras-breakup-song]

i’m not gonna lie… i’m lost here. is this supposed to be an 4nt1/cr1t1c4l post? if so, i genuinely don’t understand the point being made.

is it that playful banter is a bad thing? is it that being too hands-on violates unspoken boundaries? the message is so unclear to my autistic ass…

oh, wait, OP provided tags:

so aside from the fact that they are absolutely not sisters by default, least of all canonically (even if you do interpret them that way somehow), nor was it ever intended by nate stevenson, i’m still having trouble figuring out how this is problematic.

in which ways is lighthearted touch totally contradictory to passionate kissing/caressing? why can’t partners who are dating do both, especially in different cultural environments such as the horde where intimacy is discouraged and friendly sparring with familiar peers is a safe expression? if it’s so different, what are we as the audience supposed to interpret from their style of physical affection by the final season? side note, but aren’t we supposed to consider the latest version of anything in general as the most accurate?

now i have a question lol, did you take this moment literally at her word, and all the other times she repeated it?

also, my friend just pointed out that this is the classic homophobic talking point of "they seem to just be very good friends! they were roommates!" lmao. i've never agreed with accusing anyone who cr1t1c1z3s catradora of lesbophobia, which i'm not doing necessarily, because that's simply not how it works, however i found this funny and partially true so i'm keeping it in.

the lip bite was included unintentionally 👀

anyway, as i’ve discussed on this blog before, i’m very arospec and it’s inseparably intwined with my identity itself; i also project that onto catra. something we often bring up in that community, is romance-favorability (as its own spectrum of range all the way to blatant repulsion btw) — which is a personal preference that’s defined as exactly as it sounds like and occasionally revolves around fictional depiction as separate from one's own reality — and arguably more importantly, amatonormativity — which is an arbitrary set of rules for romantic expectations set up by an alloromantic society. this is typically thought of as common denial of the idea that someone could actually want to separate themself from needing a life partner in marriage, but can very much be applied to an annoying list of what draws the line between romantic & platonic relationships. that line is very individualistic and is to be decided on such a level only, and it doesn’t even get into what queerplatonic means, a concept saved for another day!

my point is, the OP seems to be trying to claim that catradora objectively cannot be read as romantic because their dynamic growing up & early-on in the story doesn’t perfectly meet socially-constructed standards of what that should look like. i say we need to eradicate those standards altogether! it’s up to catradora to decide what they are, if anything specific at all, not us as the audience — assuming they could’ve had the words at their disposal to knowingly describe it. going back to my earlier paragraph above about how limited they were in the fright zone, i’ll borrow a quote from a comment i made on one of my recent reblogged posts (which is a great meta on how their mutual desire was uh... definitely not platonic):

"Catra and Adora’s desire for one another is shown in a variety of ways, mostly indirect. There are a lot of glances - until season 5, not the kind of open leering at one another that we’d seen between other characters. Mostly it’s fairly playful - wiggled or cocked eyebrows, glances at each other while smirking, that kind of thing, or really intense and somewhat angry glares when they’re fighting."

it's really bothering me that i can't recall where i read this from before, but someone analyzed before how, growing up, catra & adora didn't have a good sense of how to label their relationship with accurate terminology despite being subconsciously aware that they, whether they knew the other reciprocated or not, loved each other "like that." unfortunately, they couldn't further explore it because such love & affection was seen as a punishable weakness in the horde, so they resorted to the only safe option they seemed to have, which was subtle body language and play-fighting as [testudoaubrei-blog] described above.

also, since this screenshot is included in that post... i would be amused to read an explanation of how THIS LOOK from catra is "platonic with a capital P", because i'm not even sure if it's up for debate to be quite honest with you:

ESPECIALLY with the "i always have!" line (which 4nt1s like to doubt, but i don't care, it's official!):

[catrasredemption]

Serious question - do people actually hate Catradora?

Like. Their hate is so comical sometimes that it feels unreal. "Catra was an abusive child at six years old! She attacked poor innocent Octavia who's never done anything wrong in her life obviously!" That can not be a real criticism. It's one thing to say she was abusive toward Adora (i.e. the scratch in the flashback of Corridors, which is also a stupid example), but to say she was abusive to a grown-ass adult who was close enough for Catra's tiny arms to reach her eye in the first place? Give me a god damn break.

Or apparently Catra is selfish for asking Adora not to die at the end of the show? She was being manipulative and guilt tripping Adora into not sacrificing her life to save the world? Are you kidding me?

May I propose - you don't actually hate Catradora, you just hate seeing other people enjoy it, so you go through the show and find the most unforgiving reading of a scene then use it to spin a narrative so you can rain on everyone's parade because they're enjoying something you don't enjoy and therefore they're wrong.

[manic-sapphic]

gonna pretend i'm sorry for this cause tbh- it's just a string of spop gifs where i rant for way too long about the feels i get from each scene~

(-hey - i said sorry, ok ... sure, i openly admitted it was a lie - but i guess i just hoped you'd appreciate the slight effort of the pretense-)

this moment obviously kills me- just like i know it does for alotta you- but i just gotta call attention for a sec to what exactly kills me the most about it: up until this point, we've constantly been shown brief moments of catra's expression betraying her true vulnerable state - even if it's just a close-up of her eyes - during which less than a second passes before the look in them transitions from sad/hurt or disappointment/self-hatred (anything of the sort, really) to anger/ resentment/ rage. her brow usually falls quite quickly as her eyes narrow, refusing to allow her real feelings to continue just being felt - (& tbh, for most the show, i think she's just so fucking afraid of what might happen if she does let herself feel them- esp s4 after the portal)

but in this scene - that's changed. it's completely turned around, flipped upside down - she starts off w her usual habit - a display of resentment and rage - that dissolves into the most heart-breaking freaking expression i think i've ever seen. because you can see just how heart-broken she is- and it kinda seems like she's tryna admit, w/o having to say it- that she was already heart-broken for a really long time, and is tryna make one last attempt at getting adora to understand- not to choose catra- that's not the point, that's not what catra's after, even if it is what she wants and needs to know (for her own peace of mind) if the feeling is mutual-

rn, all catra is desperately tryna get adora to even just think about - is herself. take away every single person she feels responsible for - which is literally everyone.. everyone - a feeling, btw, catra now understands to be an unconscious reflex born of the trauma shadow weaver had caused adora. she's finally able to see it was never just her - adora was just traumatized far more secretively & in ways that would be harder for others to notice (which i'm sure was very much on purpose)

- the weird convos w shadow weaver, disguised as personal pep talks, looked as if they only took place when shadow weaver had adora alone - but in failsafe, catra hangs back to listen & make sure there's no bull shit going on- just like she said she would- "i'm only going to make sure shadow weaver doesn't try anything - it's not because i like you-" (yeah yeah we get it- u DoN't LiKe HeR ~ duuuh, that's cuz u luv her u dummy <3)

oh but now- now i gotta talk about THIS look right here- as if the expression they give catra when/after she asks "what do you want, adora?" isn't enough to see me out in the backyard digging my own goddamn grave- then they throw this shi on my tv screen just seconds later ?! tf. i mean- the way catra's eyes shift up- no longer able to keep looking at adora after the only answer she can give her as to what she wants is "i have to do this, catra - i'm the only one who can" ... FUUUUUUU THO OK

for so many reasons, too many for me to get into in a post i already feel bad about cause dude i ain't near done ranting on scenes and moments annnd i see how long it's already gotten- my bad, fr- so i'll just try (and fail) to narrow it down and keep it brief- catra's questioning what adora wants is definitely aimed most importantly at her hope that maybe she can still get adora to even just think about that- to realize that she's allowed to and should think about it.

but i also read it as, once again, these two knowing each other so well that they don't always have to say exactly, word for word, what they wanna ask or tell each other- the emotional stuff is weird and hard for them to even put into words still, tbh; cause i mean, ya know- orphaned child soldiers discouraged from even showing any signs of illness when sick, cause asking for medical attention would be a real loser move for a kid to make, right.. like, wtf? dude- they can take on so much and handle the gnarliest situations that require strength and skills and abilities i couldn't ever ever fucking fathom facing - but feelings? tf? all i can ever hear them thinking in response to those: "ohhh fckfckfck what is this, why is this & how do i make it stop -???"

so when catra asks adora what she wants, i mostly hear her begging adora to be a little selfish - just this once, at least - and let herself think about herself, but i also hear catra's most vulnerable, desperate, & honest ask of adora so far. what i hear woven in what catra actually says aloud, is another quiet question she's still too scared to put into words, but that i kinda think she hopes/knows adora will hear if she's really listening- "do you want me?"

uggghh and the way that after a moment of an outward, unfiltered display of grief over adora's answer (or more accurately, lack of an answer), catra wipes her eyes and turns away. the switch flipped. back on her bull shit. emotional defense mechanisms she's once again starting to feel are the right idea & always were, and is prob feeling like a fool for ever thinking she might actually get to have a life where she doesn't have to feel them as necessities - where it doesn't feel like that's the only way she'll ever survive.

cause maybe by now, she's seen that some people get to have that - but it's just not the life that was ever meant for her. just like adora was never meant to have a life of her own - at all - period. they're both still so easily fcking convinced of what they've been conditioned to believe about themselves, their lives, and the inevitabilities associated w their existence - (FUCK OFF FOREVER SHADOW WEAVER)

and the quick little moment of adora shown just after catra disappears - possibly gone from her sight forever - the shorter close-up of her reaction before the shot goes waaay back and she cries out for catra - i feel like it def doesn't get enough recognition (prob mostly due to the fact that the clip of adora yelling catra's name comes only seconds later and is portrayed far more dramatically, & in a way that crushes tf outta ur soul, ofc)

but that lil bit there- that brief second of adora's initial reaction- the moment she starts to process that catra just left- that catra's gone, and that this time- adora thinks it's probably for good- her short, shuddering intake of breath followed by what seem like more hurried, forced breaths that kinda appear difficult for her to take- sound like the first seconds of a fcking panic attack to me dude.

and it certainly hurts to watch just as much as when she calls out after catra - although yeah, tbh, that bit stings a lil extra in its own way- i mean, knowing catra had to have heard adora pretty much scream out her name seconds after she disappeared w melog- fuck. (idk how tf catra didn't come right back tbh. i'd be visible again so quick, rushin to adora like "omg bb i'm so sorry- pls don't cry, never ever, ily so much, won't ever hurt u again ok- ilysm omg omfg ily i'm so sorry" & btw, that's a totally normal thing to think when watching that scene ok-)

oh but then - omfg - adora gets a swift slap in the face from the crystal castle - the haunting of a sudden, unexpected vision of catra. all the catra's. catra in so many of the different forms adora's known her through, even if it was as enemies. it reminds me a bit of an excerpt out of the "don't go" fanfic - "catra hasn't been in her life for a long time - but she hadn't known how unbearable it would be to lose her for good until that moment" -

neither of these bitches ever wanted each other gone- catra (very sadly so) def spent most the series tryna convince herself that's how she felt about adora- tho it's just cause her conditioning taught her to think needing someone makes you weak and easy to hurt, and tbh, i think catra knew she needed adora for most their lives, even if she could never admit it to herself in even the form of a full, conscious thought--

but i think she also believed that, after the promise, that need was confirmed to be mutual. and in that way, it was something catra never needed to say but also never felt the need to be ashamed of/embarrassed by- until adora left. and her belief that the feeling of needing each other for support & protection (and let's be honest, care & affection) was mutually shared between them was shattered - & in such a way that i imagine catra musta felt like she was the actual idiot all along - adora had never needed her, and now she needed to figure out how to achieve that same independence - she needed to figure out how to not need adora.

omg tho dude - pretty sure i've said it before but i can't not say it (aka rant on it tho tbh- sorry lol) again and prob every time i ever share anything that features this couple seconds of what i kinda feel to be adora's most honest, selfish, & vulnerable moment we see up to this point- & without her needing to say a fucking thing- just tears that fall from her eyes after catra basically says "uhh yeah ok so- fuck that nonsense- i'm not leaving, idc wtf happens- i'm staying with you"

--(cause yeah, maybe she spent the last few years too prideful and stubborn to admit that was always what she wanted to do and where she loved being the most- and after so little time spent back by adora's side- it was breaking her fucking heart all over, knowing her chance at having time w adora was going away again- but regardless, catra gets now- that part's not up to her; it's never been her choice to make- & not even adora's, really- but deciding to stay w adora no matter where she goes- that's always been up to her- and she's not ever fucking making the mistake of choosing not to stay right beside that silly sweet dummy ever, eeeever again)

BUT duuude tho - the way adora cries a bit but says nothing - doesn't attempt even once to try n convince catra to go, to push her to leave and get somewhere safe - i just can't help but figure catra staying with her is exactly what she wanted, but never would've asked for in a million years. never would've even let herself form the question in her head.

but in spite of that, when catra states it unequivocally and clearly adds w confidence - "no matter what happens" - adora can't argue. she can't insist. much like catra hasn't really been able to do for quite a while now - adora can't fake it anymore. she's just too tired and she finally has to recognize she wants someone to take care of her, too - just like she's felt compelled to do for everyone else for so long. and in that moment, i feel like she's finally wordlessly admitting to catra, not only does she want her to be the one to take care of her - she needs her to be (and always has)

ahhhh but oof-baboof bro - then there's all this.

somehow, catra straight up delves deep into the abyss currently consuming adora & pretty much says - "fuck no. plsss wake up - you can't just die like this, not before you ever get a chance to live your own fcking life, good god dude - i get now why you couldn't before, but please, this time - STAY."

(huh- stay.. another way of saying "don't go"... hmmm :) <3)

these gurls literally got so much love for each other that catra is able to straight up force open an entryway into adora's fading subconscious (which seems to be the only part of her that's still alive) - just by talking to her - barely above a whisper there in the heart, but in adora's mind, she's screaming at her.

the desperate, hopeful sentiments uttered, urging adora to keep going - to push through this and come out the other side alive - to please survive because you deserve to - are just that much stronger when they come from catra- it's that loud to adora when catra is the one saying it- cause she's finally freaking realized, catra's the one she most hopes to hear it from. knowing catra feels that way about her is something she's never really had, and vice versa ofc, even when they were both in the horde. it wasn't the kind of thing they were taught to say or even acknowledge feeling - but hearing catra beg her to just stay alive - and then hearing why catra so desperately hopes for her to - adora's made certain that it really is true -

she does deserve love, and there's someone whose love she's realized she wants- and they're holding her, telling her she has it & always has. and suddenly staying isn't a hope, isn't a plea - it's an inevitability. adora ain't going nowhere--

and, so reminiscent of adora's line to catra near the end of save the cat: "c'mon catra, you've never listened to anyone in your life - are you really going to start now?" we hear catra imploring adora: "you've never given up on anything in your life- not even on me- so don't you dare start now!"

they both know each other so well, they know the best buttons to push that might just work when tryna reach each other, even when one of them is lost to the point of nearly being gone for good - they don't find a door to open - they take a saw to the fucking wall and make one. and pull the other back through. cause everything will be ok if they just stay together. and once they've both finally accepted the truth to that - that's all they wanna do, to the point of refusing to allow each other to die when faced with that possibility. and likewise, refusing to die- just knowing the other is there waiting for them, wanting them, is enough to bring them back -

wanting the life they haven't gotten to share yet, and straight up refusing to let anything take the hope of that future away - even if it means unlocking their true, innate she-ra form (and beginning to understand that they are magic & it was never about the stupid sword) - or if it's wielding some strange, mysterious power w/o prob even knowing they are- like reaching through a metaphysical doorway into the mind of the love of your life and grasping as far and as desperately as you can for their hand, trying- and succeeding- to pull them back from the brink of death.

their story is literally so lovely. & individually, they are truly such honest, raw, complex and thought-provoking characters - presented in a way that offers viewers a fairly rare experience, even these days, of seeing a story written by people willing to honor the honesty everyone deserves to see and may kinda need to see - things aren't always shiny, happy, good times & people aren't perfect- quite literally, no one is- but that doesn't mean there's no point trying. that doesn't mean there's no hope of a happy ending - or that you don't deserve one. it's literally all just part of life, part of living that you'll find yourself faced w figuring out along the way- whether the answers are good or bad. and that's an insane idea to thread into a freaking cartoon dude - wuhhh tf

oh and ps- catradora are canon. (almost wanna end every rant w this reminder lolol) ~~ they cannot be stopped, this shit won't ever be undone lmao. & that makes me wanna say- "hell yes!" and for anyone who it makes wanna say "hell no" - all i got in response to that isssss "more catradora for us then - hell yes x2"

:) <3

[mcdonaldsforehead-emofurry]

Daoism and The Complicated Bond Between a Hero and their Arch-Enemy ☯️

(Disclaimer: I'm not an expert on Daoism/Taoism, and even though I made sure to do plenty of research before writing this, I'm likely going to be wrong about some things. If I got something wrong, please correct me. I'm also going to use the Daoism spelling from now on for the sake of simplicity)

A common sentiment expressed between a hero and their arch villain is "Wow, the villain is the yin to that hero's yang", or "They're so yin and yang".

I myself am not an exception, as I've made that point before, especially in relation to the characters I talk about on my blog. But what does that truly mean, and how much does the original source (Daoism) play into these characters in their story?

The most commonly held definition of Daoism is that it's an ancient set of beliefs that focus on being harmonious with the universe (AKA the Dao) via being spiritually/emotionally/physically balanced within. The hard part of the definition comes specifically from the Dao because it represents the universe and its overall depth along with the seemingly contradictive beliefs that come from it. (which is fitting because of how vast and fluid the very nature of the universe is). [2][4][5]

One of the main ways the universe/oneself can remain in balance is through the aforementioned concept of Yin and Yang. Yin is the darkness that holds light and Yang is the light that holds darkness. Yin is feminine, quiet, passive, calm, and negative. Whereas Yang is masculine, loud, aggressive, and positive.

Despite these contradictive traits, Yin and Yang are forces that can't live without one another or else the universe would be out of balance. This balance is achieved through each one having an aspect of each other, as Yin holds some of Yang's passionate and aggression while Yang holds some of Yin's softer and colder parts from within.

It's also important to note neither is inherently good or bad. Rather, they're merely two sides of the same coin that remind us that everyone and everything is multifaceted.

Another concept I need to define from Daoism is Wuxing:

[1][3]: Wuxing Theory/Philosophy is a principle found in Daoism that sets to explain the natural order in the world. Wuxing incudes the elements and their associated color: fire with red, earth with yellow, metal with white, water with black, and wood with green/blue. Each of these elements/colors represent the different aspects/cycles of life including the seasons, body parts, planets, life stages, directions, etc.

[3] Here's a simplified chart showing what each element represent/is associated with:

And here is a simplified chart showing the relationship each element has with each other:

The elements chosen are more so allegorical rather than literal, which is why wood and earth are considered two elements instead of one.

When the wuxing elements are out of balance, a person's self/the world divulges into chaos as the order of nature is ruined. However, when in balance (both the destruction and creation aspects), one's self is complete and in line with the natural order of the world.

This post is going to focus on how this concept applies to the "enemies and lovers" (though lovers can be substituted with friend if desired) trope; specifically between Batman/Joker, Adora/Catra, and Ekko/Jinx. I chose these three relationships because I feel each relationship represents what happens when Daoism is applied in different ways, because this blog is mostly focused on those three, and because I feel like the Batman/Joker dynamic is arguably the most influential/subversive Yin/Yang duo in the modern age.

Which brings me right to-

Part 1: "You're the yin to my yang, can't you see?" Batman and Joker

Before analyzing the specific dynamic and how that influences their respective story, I'm going to analyze the aesthetics because I think the physical appearances are a good visual indicator of their ties to Daoism.

Simply put, Batman is the embodiment of "Dark is not Evil" whereas Joker is the embodiment of "Light is not Good". Batman wears all black to hide in the shadows and blend in while Joker wears bright colors to stand out from the shadowy Gotham. Batman works hard to uphold justice while Joker works hard to spread harmful chaos. Even more interesting is that Batman wears fully black while having white pupils, while in the animated series, one of Joker's redesigns has him with (sans undertale type) black eyes against his white skin. This would seemingly lead to the conclusion that Batman is Yin while Joker is Yang. After all, Yin is usually the quieter/repressed one with elements of aggression while Yang is the opposite.

However, it can also be argued that Batman is Yang due to his aggressive and passion to help others while holding a deep darkness within, while Joker could be Yin due to his overall darker nature with his jovial side being hidden behind his actions.

its been stated by both men how they could've easily become the other after their respective "bad day":

Detective Comics #33 (1939) Bill Finger and Gardner Fox

Batman: The Killing Joke DC Comics (1988) Alan Moore

Either way, I think this ambiguity of who Batman/Joker represents is fitting for what Yin and Yang is because everyone has a bit of Yin and Yang in them.

However, what makes Batman and Joker the ultimate Yin and Yang duo is the fact they represent opposite ideals while reacting in completely different ways. Because of how extreme said ideals they get, both men need a barrier of some sort to keep the other from going over the edge.

After all, its been said by Batman himself that if he killed the Joker he'd end up going overboard with wrath and end up hurting more than intended:

Batman: Under the Hood (2005) Judd Winick

Besides that, Batman's anger is infamous for how it manifests in a highly controlling nature. One of the only people that can go against and challenge Batman's controlling nature is Joker. Likewise, the only person who can plan for Joker's chaos is Batman. That's what makes their fights so personal for each man. They aren't just fighting a man they hate, they're fighting the contradictive ideals they see in one another while giving the other symbolic purpose.

It's no wonder why there are a multitude of stories that showcase Joker grieving over Batman's death/disappearance. After all, without Batman, crime has no punchline:

Knight Terrors: The Joker #1 by Matthew Rosenberg

Joker's 80th Anniversary: Kill the Batman, Gary Whitta

Batman The Animated Series Epsidoe 51: "The Man Who Killed Batman"

Some other examples include The Dark Knight Returns (by Frank Miller), and Going Sane (by J. M. Dematteis, Eddie Campbell, and Daren White).

While Joker is open about how much he needs Batman (with the most infamous example that comes to mind is the final fight between them in Arkham Knight), Bruce is a lot harder to crack.

At first, Batman's feelings are cut and dry, with him hating Joker for all the terrible things he put him and his loved one's through. However, various adaptations and comics (especially in recent years) have shown that Batman's feelings about the Joker are a lot more complicated than originally thought.

Part of this complication comes from how they've been fighting for so long that it's become routine for both of them. Ironic considering that Joker is all about chaos, but I digress. Heck, this same point is brought up in Batman Arkham Knight: The Riddler's Gambit by Alexander C. Irvine, where Batman tries to sort out his seemingly out of place grief that came after Joker died due to how familiar fighting him was.

Another part of this complication is due to the nature of comic books and all the adaptations that come from it. Some writers will write Batman mourning over the loss of Joker (I.E. The short story Perp Walk by Jason Shawn Alexander, The Arkhamverse, The Injustice series, Batman: Damned by Brian Azzarello, etc) whereas other writers will showcase Batman not giving a crap over Joker and his death (I.E. the DCAU). The only thing we can guarantee is that Joker makes Batman feel everything BUT indifference. Even when Batman claims he means nothing to him, he's usually screaming this or putting other peoples safety in jeopardy just so he can deal with his seemingly unimportant butt.

Whatever their personal feelings are, it doesn't stop the fact both men are trapped in a dance with one another due to their conflicting ideas.

Which brings up the question "If Yin and Yang are meant to compliment each other, how can Batman and Joker be Yin and Yang if they constantly fight with one another while rarely working together?"

Outside of their team up storylines including Batman & The Joker: The Deadly Duo (2023) by: Marc Silvestri, Batman: Europa (2016) by Brian Azzarello, Batman: The Enemy Within, Batman: The Brave and the Bold: season 1 episode 13 Game Over for Owlman, and Dark Knights: Metal (2017) by Scott Synder), they don't seemingly mash well.

And that is the crux of how Batman and Joker both subvert and utilize Yin and Yang. Does being opposites and the same while not being able to truly work with one another prevent them from being truly Yin and Yang? Or is it only a reflection of how Yin and Yang are both separate concepts that retain their individual ideas even when together? There's a lot to say how their cosmic fight both utilizes and rejects the union present in Yin and Yang (at least in a conventional way).

Whatever the case may be, the ties they do share with Yin and Yang is a reflection of each other's vices, and potential successes should they work together. Unfortunately, with the nature of comic books, these two won't be able to break apart from the cycle, which both supports the idea how they both subvert and utilize the tethered nature of Yin and Yang.

Part 2: "But you two... Even when you're trying to kill each other, you can tell there's a real bond there" Adora and Catra

Just like the previous section, I'm going to start off with analyzing the aesthetics' of these two before doing a deeper dive into how Daoism plays into their story:

Adora's main color palette includes red, white, and gold whereas Catra's color palette is red and black (with occasional violet-red in some of her outfits). They both share the color red as a reference to their leadership roles, but the difference with Adora having white and Catra having black best represents how the symbolism of red is applied differently. For Adora, red represents confidence, strength, energy, and health while for Catra, red represents danger, war, blood, anger, and passion.

With these descriptors, Adora/She Ra could be represented with Yang while Catra can represent Yin. Adora is more spunky, competitive, confident, and noble while Catra is closed off, sly, colder, and feminine. And like Yin and Yang, they held opposite qualities, with Catra being often rougher than Adora while Adora (at first) had to be told what to do and wasn't very assertive in what she wanted in her own life.

The whole series follows the fall and rise of their relationship, and how they go from enemies to allies over the course of several years. In short, their relationship serves as the backdrop for the show's universe; as while the two were fighting against each other, Etheria was often in jeopardy. However, when they reconciled and truly opened up to one another, they were able to save everyone around them.

Even their very character growth required them to learn from one another. Adora needed to have some of Catra's selfishness while Catra needed some of Adora's sympathy for others. Without these lessons, the two were self-destructive and unhappy. In this case, selfishness turns into self-love when applied correctly.

This union is also showcased in their future outfits, as Adora adopts some of Catra's feminine side along with her crown, while Catra adopted her ponytail and jacket:

During their first kiss, the scenery involves an excess of yellow, blue, white, green, and black. Combined with Adora/Catra's red, these colors are the same found in Wuxing philosophy (though technically there's five colors with green and blue being interchangeable/substituted with one another).

I'm sure this was a coincidence, but I think the background colors matching with the Wuxing elements is fitting as both women were finally able to open themselves up about their love for one another. It's especially interesting that Adora and Catra have red color's, especially because red/fire is associated with the heart and growth in Wuxing [1][3].

All in all, Adora and Catra's journey throughout the show concluded with them adopting elements from each other while still keeping certain aspects of themselves intact (with the exception of the self destructive traits), and I think that's a beautiful description of what Daoism aims to achieve. Not to concern yourself with someone else's differences, but rather learning from one another in order to grow as a person and retain balance in the universe.

Part 3: "Dynasties and Dystopia" Ekko and Jinx

Once again, lets start off with analyzing the aesthetic references to Yin and Yang that Ekko and Jinx share:

During their infamous bridge fight, Ekko is standing in front of a bright light while shadows fade on him. Meanwhile, Jinx is shrouded in shadows with a brink of light shined on her. This visual imagery showcases that Jinx is Yin, and Ekko is Yang.

Interestingly enough, their outfit's seem to showcase the opposite:

Ekko wears a white tank top with something dark on it whereas Jinx is wearing a black tank top with something light on it. There's also how Jinx is a pale white woman who wears mostly black/dark clothes whereas Ekko is a black man who wears mostly white/lighter colored clothes. Through this visual indicator, it would seem Ekko is actually Yin while Jinx is Yang.

Which could also work because Ekko's gritter aesthetic contradicts with his hopeful, noble personality while Jinx's playful aesthetic contradicts with her inner turmoil and anger.

The idea of Jinx being the Yang to Ekko's Yin is further visualized with both the necklace Ekko gives Jinx/Powder in the alternate universe:

Another tidbit to mention about the ambiguity of who represents Yin/Yang is the season finale where the two come together to save everyone around them. Like Catra and Adora, this union is visualized through their new outfits:

Jinx has hour glasses and green streaks colored onto her while Ekko has pink X's around his body. They also adopted some fashion elements from one another with Jinx's shark hoodie probably being partially inspired from Ekko's hoodie/owl mask, while Ekko is wearing a crop top similar to how Jinx would wear crop tops. Jinx has a brighter top with black in it (like Yang) while Ekko's top is darker with some whites on it (like Yin)

Similar to Batman and Joker, the ambiguity of what Jinx/Ekko represents is fitting for what Yin and Yang is, as everyone is ultimately made up of both forces.

That being said, on a metatextual level, Ekko and Jinx's relationship is one of Arcane's visuals for how much balance is present. This is best observed through the differences in season 1 episode 7 and season 2 episode 7.

In season 1, Zaun and Piltover have a lot of tension due to class issues (which in itself is a reflection of imbalance) and everyone's respective trauma. This fits along with the disarray between Ekko and Jinx and their mutual frustrations with one another.

In the alternate universe, the main cause for everything being different was hex magic never being utilized due to Vi's death. Despite this tragedy, Zaun is seen thriving with everyone looking healthier, happier, and safer. This is best showcased with Ekko and Jinx/Powder being in a happier relationship together.

Even with these differences, Ekko and Jinx still share a Daoist connection to one another, something shown through Powder/Jinx's line: "You know those ugly twins, genius and madness"

At first, it would seem Ekko is the genius to Powder/Jinx's madness. However, Ekko himself isn't as mentally stable as he appears to be. He spent various time loops and over a decade trying to help his best friend turned terrorist, he's prone to obsessive behavior, he witnessed his adoptive father die, and he's prone to bottling up his emotions due to the various traumatic events that he went through. Meanwhile, Jinx is also genius in her own way; as she's able to build advanced weaponry using scraps, she's a poetic person, and she (with the help of Ekko) was able to convert her lair into a working blimp of sorts.

Ultimately, it would be more accurate to say Ekko is the genius holding madness while Jinx is the madness holding genius inside. Both with the potential to act out as either, but only in a way that balances the other out.

Whatever the case may be, these two are always going to be tethered together even though Jinx had to leave. One of the main themes of Arcane is duality, connection, and opposites living together. Ekko and Jinx's cosmic relationship is just another way to showcase this theme among the chaos going around them.

Part 4: The T.D.L.R.

Batman and Joker both utilize and subvert Yin and Yang

Adora and Catra are directly influenced by the message presented from Yin and Yang through their union together

Ekko and Jinx is the personification of Yin and Yang in Arcane/League of Legends

This distinction is important because it shows how much the environment reflects each character VS how much each character reflects their environment.

Batman’s/Jokers world is stuck in a continuous loop unable to break apart from the cycle despite wanting to, Adora/Catra's world changes and evolves with their relationship, and Ekko/Jinx is a relection of the good and bad their environment could bring depending on how they react to it, and well they come together.

Sources:

Bertschinger, Richard. The Five Elements - Mytaoworld [1]

Oldstone-Moore, Jennifer. Taoism: Origins, beliefs, practices, holy texts, sacred places. Oxford University Press, USA, 2003. [2]

Hsu, Shan Tung, et al. “Wu-Xing Theory.” Blue Mountain Feng Shui Institute [3]

Taoism. National Geographic [4]

Zai, Dr. J. Taoism and Science: Cosmology, Evolution, Morality, Health and More. Ultravisum [5]

[spop-romanticizes-abuse]

i do find it interesting how catra feels more guilty about the way she treated scorpia and entrapta, whom she knew for a few months or a year, at max, than she did about the way she treated adora, who was her best friend/sibling for as long as she could remember.

her face after she electrocutes entrapta says everything. while what she did was horrible, she did it out of impulse and was clearly horrified when she realized what she had done.

later on, she gets nightmares about what she did to entrapta, clearly hammering in the guilt.

she doesn't do anything about it, of course, but at least it's made obvious that catra knows that what she did was wrong. again, remember that catra never seemed to like entrapta all that much. even though entrapta considered catra her friend, catra always seemed to be impatient and annoyed with entrapta.

later, when scorpia tells catra that she's a bad friend, it hits harder than anything else anyone has ever told her.

scorpia leaving was the straw that breaks the camel's back. this leads to her breakdown at the end of the season. this is the first time we see catra being truly devastated.

which further hammers in the fact that scorpia was probably the only person catra truly cared about.

contrast this to her reaction when adora calls her out during the portal scene.

she's not shocked, she doesn't look guilty, she looks angry. she further tries to fight adora, springing her at every chance until adora decks her in the face.

and after the portal is closed, catra looks scared but still shows no remorse for what she did. in fact, in the last frame, she just looks determined. and it's clear by her next appearance that she does not give a single flying fuck about adora's feelings. she continues torturing adora with a smile on her face and prides herself on angella's death.

so yeah. if catra showed remorse for hurting entrapta and scorpia, it's not that she's completely apathetic or doesn't realize her flaws. it's that she doesn't respect adora as a person and does not feel bad for hurting and trying to kill her. again, reminder that they had been friends for their whole life. if the show writers really wanted to show us that catra always loved adora, they should have shown at least a hint of remorse in catra's behaviour regarding adora, prior to s5. but nah, who cares about good writing when your audience is gullible enough to believe whatever you tell them, right?

[yourhighness6]

No Thoughts Just How Powerful This Scene Was

[aprillikesthings]

I feel like you could make an argument from canon that Catra is demisexual

(it's possible the fandom talked this one out four years ago lol)

But we see multiple other characters checking other characters out in a very obvious "damn, they're hot" kinda way! And Adora is sometimes the most obvious about it:

"oh, wow" ahaha this whole episode is great

Bow checks out Sea Hawk, Mermista checks out She-Ra, anyway you get the idea

But do we see Catra look at literally anyone but Adora that way?

"But her sexy s4 outfit" yeah I've known sex-repulsed aces that dress in sexy outfits because it makes them feel good. Besides if anything I feel like Catra knows it'll distract other people

"But she's sometimes flirtatious with people she's fighting" Because she knows it flusters them

She's so obviously uncomfortable when Double Trouble gets flirtatious, and yeah some of it is that she knows DT lies for fun and profit (...also at this point in the plot I think Catra's self-loathing is so bad she'd immediately distrust anyone who wants her) but still!

I'm not saying she was intentionally written to be demisexual rep. I'm just saying that if you headcanon Catra as demisexual, canon doesn't disprove it

[candyskiez]

rewatching once upon a time in the waste makes me so emo dude. because catra was so, so much happier the second she got far away from the horde. no constant question if she would be replaced, no constant need to justify every action, no feeling like the only reason people respected her was because of her rank. scorpia had shown beyond a shadow of a doubt that she cared about her, genuinely. I think that's why she was so carefree in the wastes. she was away from the constant expectations, and someone was watching her back. she could take her damn time because hordak didn't expect it all under a short deadline. she had scorpia to look out for her, they could goof off because they had time to mess around and she didn't have to constantly prove every single bit of worth. she showed she could do shit and people listened.

and the part that gets me is catra denying that she's miserable in the horde. when...yeah, she is. she literally hated it there, she was constantly stressed, she was constantly on the verge of a breakdown and it was completely unsustainable. scorpia was genuinely stating the facts. she hated the horde. she felt safe in the wastes because there was so much less pressure and she had someone who had her back. without that "come back with results, or else." over her head, she was so much less on edge.

but she goes back, because letting shadow weaver get away with hurting her feels like admitting defeat. it would be the best for her mental health, no doubt. but all she sees is that shadow weaver HAS to pay for what she did, she has to make her hurt like she did because of her. shes so caught up in rage and hurt. she could've been happy. she was just too scared to. she wanted to make shadow weaver feel the hurt she did, and all that ended up doing was denying herself what she really wanted: to be safe and wanted.

scorpia chose catra. catra was just too blinded by the fact shadow weaver didn't to see it until it was almost too late. fuck, man.

made princess scorpia hit so much harder. scorpia tried so hard to help catra. but she cannot fix her problems if catra wasn't willing to change. catra had to make that choice herself. scorpia deserves to be treated well too, and seeing her realize that was so cathartic. and no matter how much I love catra I am SO glad scorpia got out. god I love this show.

basically s3 was so good and set up the rest of the show so well thank you for coming to my ted talk.

[raayllum]

i think a lot of what keeps a character sympathetic * honestly, is just letting them have good intentions and even better, a genuine lack of awareness. even if they're lying to themselves, and we know they're lying to themselves, they have to earnestly believe that they're not. they have to truly believe that what they're doing is right, even if we know it isn't, and that it's not self motivated, even when it often is.

take, for example, viren, claudia, and rayla. they both make massive mistakes (basically everything viren and claudia have ever done / rayla leaving callum the way they did) and most of those mistakes were self motivated. claudia bought her father's gaslighting because she wanted to believe in a world where her family could stay together, and then overruled viren's reservations about his ressurection when she brought him back; viren does many terrible things in arc 1, but is genuinely motivated by what he believes is ultimately better, long term, for the world at large even over his family, or that he knows better for his family in general, and having that lie stripped away is so much what s5 is about. for rayla, she's so selfless it rounds back into being selfish, where she had the security of knowing callum was safe while he worried over her for two years, leading to her deeply wounding him even when that was the last thing she wanted (and deeply hurting herself). they all thought they were genuinely doing the right thing, often putting themselves on the chopping block for their choices (claudia and rayla in particular) even as it just made everything worse.

but even when we see them being selfish, we know they're still genuinely motivated by their love for other people, and it's coming out in very misguided ways, we can still have sympathy, we can still understand. and that to me is great character writing

* obviously sympathy isn't the most important to feel towards a character, but it can certainly be helpful in having an audience be interested in, at the very least, understanding them even if we don't like them

[edge-lorde]

Entrapta and Hordak are in a b4b (barbie 4 barbie) relationship, sold separately as the Lab Partners Horde Sanctum Playset™. Each of them come with half of the portal as well as a workbench with a few tools and a special plastic companion creature (Entrapta comes with Emily and Hordak with Imp).

when both sets are together they can be fitted to form the whole portal but it cant light up without the Sword™ (sold separately either by itself or with a special bonus Catra line.)

Entrapta's hair is brushable and you can clip her tools to it like barrettes. She doesnt have multiple outfits but part of her overalls can be flipped up, and separate figures of her are sold with different removable masks. The whole set is marketed as inspiring future women in STEM despite the only actual sciency thing about it being the general aesthetic and maybe some numbers and fake blueprints on a sticker computer screen. its never explained why hordak is a part of this. (David S. Pumpkins voice: "He's Part of it!")

Entrapta also gets her own Crypto Castle Playset™ that is more polly pocket sized and has lots of trap doors and hiding places and comes with a few robot figures. her hair is hard and you can clip tools to both her pigtails and hands.

Hordak never gets his own set, he's always either a part of an Entrapta or Catra line, but he is sometimes sold separately with different armor. maybe a polly pocket sized figure has removable armor, but the barbie versions are just sold separately with only either a removable cape or arm cannon.

@hasbro @mattel @staff @god